Bill Reid: The Making of an Indian
by Maria Tippett

#11205

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Bill Reid was at the forefront of the modern-day renaissance of Northwest Coast Native art; but his art, and his life, was not without controversy. Like the raven -- the trickster and principal figure in countless Haida myths -- Bill Reid reinvented himself several times over. Born to a partly Haida mother and a father of German and Scottish descent, his public persona as a Haida Indian seems to have been as much a product of journalists, art patrons, museum curators and others in the non-Native establishment as of Bill Reid himself. It is clear that Reid’s art arose from the tension that existed between his Native and white artistic perceptions.

Award-winning biographer and cultural historian Maria Tippett became intrigued by this enigmatic figure who referred to his own early works as “artefakes,” yet to this day continues to inspire new generations of Northwest Coast artists, including Robert Davidson and Jim Hart. But she questions whether Reid’s status as the architect of contemporary Native art is fair and accurate, given that artists such as Mungo Martin had been keeping the tradition alive since the beginning of the twentieth century. Most controversially, she explores how Reid brought a sensibility formed through his white heritage to the reinvention of Native art.

By asking difficult questions about Reid’s life and work, and by analyzing the works of other Native artists since the beginning of the twentieth century, Tippet gives the reader the defining portrait of Bill Reid -- one of Canada’s most enigmatic and beloved artists.

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Quantity:	No item(s) available
Weight:	0.61 kg
Price:	CDN$ 39.95 (US$ 38.88)

ISBN-10:	0679310894
ISBN-13/EAN:	9780679310891
Author:	Maria Tippett
Publisher:	Random House Canada Toronto
Publication Date:	2003
Pages:	336 pp
Size/Dimensions:	9 1/4 x 6
Binding:	Hardcover